Épisode La fin de toutes choses S04E14 - Fringe Saison 4

PROLOGUE

Olivia's Apartment - Home Surveillance

AGENT LEE: Broyles has agents and B.P.D. combing the area, checking all the traffic cams. Nina has to be behind Olivia's disappearance. Once she's been processed in at the FBI, we'll get her talking.

PETER: I thought you said she's denying any involvement in this.

AGENT LEE: For now. Her alibi is not gonna hold. And if she knows where Olivia is --

PETER: Good luck getting Nina Sharp to break down and tell us.

AGENT LEE: Alright, point taken. You still haven't told me what you're hoping to find here.

PETER: If Walter's right and Olivia is being dosed with Cortexiphan, it stands to reason that she was gotten to when she was alone And vulnerable.

AGENT LEE: You think she was being watched? And this Cortexiphan is the reason she's been acting strangely.

PETER: That's Walter's theory.

AGENT LEE: Right, he thinks that you've been somehow projecting your Olivia onto her, that she's assuming the memories and personality of the Olivia from your timeline.

PETER: Is any of this relevant right now?

AGENT LEE: It is to me. She's my partner. And if that's true, think about what you're doing to her. Unintentionally or not, you are robbing her of her identity, her life. She is not your Olivia, Peter.

PETER: And what if she is?

AGENT LEE: You know that's impossible. Yet you still let her continue working the case, knowing that she was under your influence, that she wasn't herself. I don't know you that well, but I'd like to think you weren't ignoring her safety for personal reasons... and that you're not ignoring me right now.

PETER: I'm not ignoring you.

AGENT LEE: Wireless closed circuit. It could have transmitted anywhere. What's that?

PETER: It's a backup memory disk. I've seen surveillance cameras like that before. They continually capture and store images on a disk like this in a 60-minute loop.

AGENT LEE: Olivia hasn't been here all day. I doubt it's recorded anything useful in the last hour. I can have our Techs take a look.

PETER: They're not gonna find anything, but maybe Walter and I will. Let Broyles know that we're working on this. In the meantime, you should keep on working on Nina, 'cause if this doesn't pan out, you're gonna have to do the impossible.

AGENT LEE: What's that?

PETER: Get her talking.

 

Isolated Cell - Priming Olivia

NINA SHARP: Well, they came for me in the middle of the night, when I was asleep. They grabbed me. Before they put the bag over my head, I saw her stepping out of the shadows behind them. It was me, Olive. I mean, she looked exactly like me.

OLIVIA: So it wasn't you that I saw in your office a few weeks ago? You didn't come to my apartment to help me when I was sick?

NINA SHARP: No, I’m sorry, sweetheart. I wish I could say that it was. I've been so worried about you. You know, all the time they've held me here, he still hasn't told me what he's after.

DAVID JONES: Olivia Dunham. I've waited so very long to meet you.

OLIVIA: Actually, we've already met.

DAVID JONES: You have me at a bit of a disadvantage.

OLIVIA: I watched you die. And I'm looking forward to seeing you do that again.

LELAND SPIVEY: Maybe confusion's an unforeseen side effect.

DAVID JONES: I'm a bit confused myself. She's not the first to say that to me.

OLIVIA: A side effect from what? What does he mean?

DAVID JONES: Well, of course, you don't know, though I imagine you've been feeling the effects for some time -- your migraines, for example.

OLIVIA: What the hell did you do to me?

DAVID JONES: Nothing... that wasn't already done to you a long time ago. But then... you were just a child. Doctor Bishop's notes from the Cortexiphan Trial were quite clear. The subjects' abilities were triggered by sparks of intense emotions, hmm? Let's prime that. Every journey begins with a first step.

NINA SHARP: Jones, you leave her alone.

DAVID JONES: Always the protective mother hen.

NINA SHARP: What are you doing?

OLIVIA: Don't.

NINA SHARP: No.

OLIVIA: Nina. Damn it, Jones. Stop!

DAVID JONES: Yes, I believe this will work nicely.

 

ACT I

Boston, MA - Observer Conference

DECEMBER: Have you located him?

JULY: No. Do we know why he failed to carry out his instructions, why he did not erase the lingering traces of Peter Bishop from this timeline?

DECEMBER: That is a question only September can answer, as well as if he is responsible for Peter Bishop's return. September has continually intervened on behalf of this boy, despite all warnings. He has been given every chance.

MARCH: How should we proceed?

DECEMBER: We wait. He will surface again. And when he does, he will have to face the consequences.

 

Interrogation Room - Accusing Nina

NINA: Have they found her yet?

BROYLES: Sit down, Nina.

NINA: Now, Phillip, tell me. Do you have any idea if she's alright?

BROYLES: Do you?

NINA: How can you ask me that? I raised Olivia as if she was my own daughter.

BROYLES: Sit down.

NINA: Phillip, you know me. Do you honestly believe that I’ve been dosing Olivia with Cortexiphan, that I could have had anything to do with her disappearance?

BROYLES: I want to believe you, Nina. If you care about Olivia as you say, then cooperate. The more you tell me, the sooner I can find her, and the better it'll be for you.

NINA: For God's sake, Phillip, I have already told you everything that I know. I should be coordinating with Massive Dynamic resources to assist in the search, not sitting here in some damn cell.

BROYLES: When were you last in the Massive Dynamic Deep-Containment Facility?

NINA: Yesterday afternoon with Agent Lee.

AGENT LEE: And before that?

NINA: I've told you already. I haven't been there for years.

BROYLES: The biometric logs show you accessed the storage facility twice within the last three months.

NINA: Well, that's not true. The logs have been tampered with.

AGENT LEE: There are eyewitnesses who say they saw you enter the facility. We have signed affidavits from your own security people.

NINA: A - a shapeshifter. I - it had to have been. That's the only explanation.

BROYLES: If a shapeshifter was responsible, then you'd be dead.

AGENT LEE: What are you doing with Olivia?

NINA: I see where this is headed. You've convicted me already. I'm not saying another word without my attorney present.

BROYLES: Have it your way.

 

Walter's Lab - Finding Leads

ASTRID: What exactly are you hoping to find on this chip that you haven't viewed already?

PETER: The camera records over itself every sixty minutes, burying the older images under new footage, so I’m hoping that this machine is gonna give us a chance to reproduce those older images.

WALTER: A very slim chance.

PETER: Thanks for the encouragement, Walter.

WALTER: I should never have let her out of the lab. You shouldn't have.

PETER: What?

WALTER: I warned you not to succumb to temptation, Peter. Whatever consciousness Olivia appears to be manifesting now, she is not who you think she is.

PETER: You don't know that.

WALTER: What I do know is that if I had kept her here, as I should have, then she wouldn't have been taken. And we wouldn't be fishing in the dark, hinging our hopes on pulling a palimpsest out of that chip.

PETER: Right now the only thing that matters is finding Olivia. Everything else will work itself out.

ASTRID: Uh, I’m sorry, but what -- what is a ‘palimpsest’?

WALTER: A manuscript page from a scroll or book from which the text has been scraped off, which means it can be used again.

ASTRID: Like when you rerecord over an old VHS or cassette.

WALTER: Precisely. And what was underneath bleeds through --

PETER: Hold on. I'm getting something. I need to increase the magnetic contrast.

WALTER: Increase the magnetic contrast.

PETER: Thank you.

ASTRID: Olivia. Great. Now what?

PETER: Now we dig deeper, see if we can find out who did this to her.

 

Isolated Cell - Operant Conditioning

LELAND SPIVEY: Let's go.

NINA SHARP: Uh, where are you taking me?

DAVID JONES: Please, Ms Sharp. Don't make this harder than it has to be.

NINA SHARP: Look, David, if it's me you want, you've got me. You win, but you can leave Nina alone, please.

DAVID JONES: Oh, I couldn't possibly do that. Every horse needs a carrot. Every mouse, a piece of cheese. Incentive, Agent Dunham -- all creatures need an incentive to perform tasks. Let's give you a little better view, shall we?

NINA SHARP: Oh, my gawd.

DAVID JONES: I'm going to take you through a series of tests. This first one may take some time. I want you –

NINA SHARP: I know what you want me to do.

OLIVIA: You want me to turn the lights off with my mind. We did something like this before. You were trying to activate my ability to cross between universes. And since you seem perfectly capable of doing that yourself, what is this about?

DAVID JONES: Whatever you know, Miss Dunham, whatever you think you know of your abilities, I assure you... your potential is... far greater.

NINA SHARP: Olivia, listen to me! Don't do what he says, please, whatever happens.

DAVID JONES: Alrighty, then. Let's begin, shall we? Now, if... as you seem to believe, you've done this before, then turning the lights on should not be any problem, should it? Perhaps this will help you get started.

OLIVIA: Oh, you sonnuvabitch. Leave her alone!

DAVID JONES: Don't waste all that emotion on me, Miss Dunham. Turn on the light.

OLIVIA: I - I can't. Please, can you just leave her alone?

DAVID JONES: Gladly. You know what you have to do. Just one light, and we won't have to hurt her anymore.

OLIVIA: I can't. Please stop. I ca -- I just can't right now. I'm - I’m tired, and I just need rest.

DAVID JONES: Very well. I'll give you your rest. We'll try this again in, uh, an hour.

 

Walter's Lab - Unexpected Guest

ASTRID: Wait. Stop.

PETER: What? What do you see?

ASTRID: I don't see anything. But I really have to pee, and I don't want to miss anything.

WALTER: I've had the same issue for the past ten minutes.

PETER: Great. Well, you won't have to wait too much longer. We can't dig any deeper because -- hold on a second. If I decrease the chrome and the saturation...

ASTRID: That looks like a person.

PETER: Hello. Can Facial-Rec tell us who this guy is?

ASTRID: Send me a capture of the image. I'll forward it to FBI. They can cross-reference with Interpol's database.

WALTER: Clearly he works for that Harridan Nina.

PETER: It's who Nina's working for that worries me. I've been racking my brain trying to figure out -- why would Nina be dosing Olivia with Cortexiphan? But then it occurred to me. The only person who's ever done anything like that, at least in my timeline, was David Robert Jones. Maybe he's trying to do the same thing again.

WALTER: Do what?

PETER: Activate Olivia.

WALTER: For what purpose?

PETER: I don't know. We could never figure it out. But maybe it's for the same reasons now.

THE OBSERVER: Yes. His goal is the same.

PETER: You, talk to me. What do you know about David Robert Jones? What do you know about Olivia?

THE OBSERVER: She needs you.

 

ACT II

Walter's Lab - Saving September

ASTRID: Oh my god, he's been shot.

WALTER: Check his breathing, dear.

PETER: There's no exit wound. That bullet's still in him, Walter.

ASTRID: His breathing is shallow.

WALTER: Pulse is weak. There's no breath sound from his left side. His lung must have collapsed... if he has lungs. Oh, dear god, I have no idea if this man's physiology is similar to ours at all.

PETER: It is--at least that's what you told me in my timeline.

WALTER: I suppose I have no reason to doubt myself.

ASTRID: Walter, should I call the paramedics?

WALTER: They'll just take him to a hospital. He'll have a better chance of surviving with me. We need to cut this bullet out and reinflate the lung. Please get my medical kit, quickly, dear. Peter, put pressure here.

PETER: Walter, he is an observer. They only show up at significant events. That he's here must mean it's important.

ASTRID: Well, who could have shot him, and why?

PETER: Well, I don't know, but he's here. He must have something to tell us. He said, "she needs you." he was talking about Olivia. Ah, damn it.

ASTRID: Here, here, here.

PETER: Bishop.

AGENT LEE: It's Lincoln. We got the image you pulled. They're running it through facial recognition now.

PETER: How long do you think before we have an I.D. on that guy?

AGENT LEE: I'm not sure. We never tried it with an image this weak before. It could take time.

PETER: What do you think the chances are we're gonna get lucky and Nina starts talking?

AGENT LEE: I wouldn't count on it. She's got her lawyer in with her now. Short of the sixth amendment being repealed, I don't see her cooperating anytime soon.

 

Isolated Cell - Remembering Olivia

OLIVIA: I am so sorry that you have to go through this.

NINA SHARP: Oh, it's not your fault. I mean, none of this is your fault. No, listen to me. I know Jones. I know what he's capable of. William fired him because he was unhinged. You cannot give in.

OLIVIA: Yeah, but if I don't, then he's going to keep torturing you, and I can't have that. I won't. Okay. Nina? Nina... You--you have to help activate me.

NINA SHARP: Olive, I-I...

OLIVIA: Alright, Cortexiphan is based on emotions. For me, it was always fear-- not fear for myself, but fear for the people that I loved. Now, Jones is-- he's using that, hoping that it will access my abilities. But something's happened.

NINA SHARP: W – w - what do you mean?

OLIVIA: Well, because of the Cortexiphan... I – I - I can't remember certain aspects of our relationship. I - I can't remember things about us. And without that connection, I – I - I can't do what he wants. It just – it -- it won't work.

NINA SHARP: Now, I -- now, I - I don't understand. Y - you don't remember our life together?

OLIVIA: No, I – I - I remember, but... I just... I just need for you to help me feel it. Just -- just help me remember the details, what we -- what we meant to each other. Mm. Maybe if you could -- if you could just tell me a story, maybe the first day that Rachel and I came to live with you.

NINA SHARP: Uh, oh, well, um... Mm, a social worker brought you and your sister up from Jacksonville on the train. I - I met you at Penn Station. You really don't remember?

OLIVIA: I remember the train, I think, but... just -- just keep going.

NINA SHARP: Well, I brought you girls home... to our old house in the Catskills.

OLIVIA: And I couldn't sleep that night. And so you came into my room. And you sat with me, but I-I can't remember what we talked about.

NINA SHARP: Okay, I -- you were scared. I mean, after what you'd been through, coming to a new home with a woman that you hardly knew--

OLIVIA: And I kept calling you ‘Ms Sharp’.

NINA SHARP: Yes, you did. That's true. And I told you that you didn't need to worry, that we were a family now... and that whatever happened, we had each other. And we'd be okay. And I - I kissed you on the forehead. I kissed you good night, and you called me "Nina"... that was the first time you'd ever done that.

OLIVIA: I can only remember pieces... Just fragments. It's like looking at a photo album of somebody else's life. This isn't going to work. I don't want them to keep hurting you, but... the only person that this has ever worked with is Peter.

NINA SHARP: Peter Bishop? The Cortexiphan, my abilities-- it's only ever worked when I've been around him. Aah!

OLIVIA: Nina?

NINA SHARP: Oh!

OLIVIA: Nina, are you okay?

NINA SHARP: Oh, oh! I – I – I – I – I don't know. Oh!

OLIVIA: Hey! We need somebody in here now!

LELAND SPIVEY: Stand back. What is it?

OLIVIA: She, uh -- she needs medical attention now. Look, you can tell your boss that if she dies, then his leverage dies.

LELAND SPIVEY: Bring the gurney.

NINA SHARP: Olive!

DAVID JONES: Well?

NINA SHARP: I know why it's not working. She needs Peter Bishop. Apparently, she can't be activated unless he's present.

DAVID JONES: Somehow I knew he'd be trouble.

 

Walter's Lab - Last Resort

BROYLES: Agent Dunham had asked me not to share this with anyone, but under the circumstances... that man paid a visit to Olivia several weeks ago.

PETER: What?

BROYLES: At that Brooklyn opera house, while the two of you were on the other side.

PETER: What did he want?

BROYLES: Apparently to warn her. He said he'd seen all possible futures, and in every one, Olivia was going to die.

WALTER: Peter.

PETER: Yeah.

WALTER: You said this man exists out of time. What if, at the opera house, weeks ago, he was referring to events that are happening now?

PETER: Walter, if he was trying to warn her about this abduction, do you think maybe he knows where she is?

WALTER: I suppose.

BROYLES: Dr. Bishop, do you have any reasonable expectation when this man will wake up?

WALTER: I've treated him as best I can, but he's gone into septic shock. His vital organs are shutting down one by one. I'm afraid there's nothing anyone can do for him now.

ASTRID: That was H.Q. found a match on the man in Olivia's apartment. His name is Leland Spivey. His last known address was an apartment in Deerfield.

BROYLES: I'll deploy a S.W.A.T. unit to his place.

ASTRID: Uh, you're not gonna find him. Leland Spivey died in a car accident three years ago.

BROYLES: Then how was he in Agent Dunham's apartment weeks ago?

ASTRID: I don't know. Maybe, uh-- maybe if Jones can cross over at will to the other side, he's bringing other people back with him?

AGENT LEE: You think the guy on the tape is Spivey's doppelganger?

PETER: It doesn't matter. It's a dead end. The only way to find Olivia is through him.

BROYLES: You heard Dr. Bishop. He's dying.

PETER: But he's not dead. He still has brain function.

WALTER: Peter, you're not suggesting--

PETER: Why not?

ASTRID: Suggesting what?

WALTER: He wants to go into the Observer's mind.

BROYLES: Is that possible?

PETER: Walter, you know the only way that I'm going to find Olivia is if you can put me into his consciousness.

WALTER: Peter, this man's brain could operate in ways we can't even imagine. And if he dies when you are in his mind, you could well die too.

PETER: Can you do it?

WALTER: Yes.

PETER: Good. Then let's get started. We don't have much time.

 

ACT III

Walter's Lab - Timeless Consciousness

WALTER: (after boiling liquids and connecting Peter to the Observer) Okay, Peter, here we go.

(Peter wakes up in an observation lounge. He walks to a window and sees an explosion nearby. The Observer is behind him.)

THE OBSERVER: The beginning of all things. I have been privileged to witness it... as I am to witness my end.

PETER: You know that you're dying?

THE OBSERVER: Yes. I was shot.

PETER: By who?

THE OBSERVER: That is not the relevant question.

PETER: Yes. Olivia. You said she needs my help. Does that mean you know where she is?

THE OBSERVER: That, too, is not relevant... Not yet. I am sorry, but I do not have long, and there is much I need you to understand before I go.

PETER: Who... Or what... are you?

THE OBSERVER: I am called "September" but that is a code designation given to members of our scientific team.

PETER: Scientists. From where?

THE OBSERVER: A more apt question would be, "from when?" we are you-- we're human... Many generations after your lifetime. We are one of countless possible futures for humanity. Our technology has uniquely afforded us the ability to travel within and outside of time so that we may observe our beginnings.

PETER: But you've done a lot more than observe.

THE OBSERVER: Yes. It was my attempt to rectify the mistake I made.

PETER: What mistake? Is that...?

THE OBSERVER: Your real father... Developing the cure that would have saved your life.

SECRETARY BISHOP (in a flashback): Excuse me. What are you doing in here?

THE OBSERVER: Forgive me, Dr. Bishop. I did not mean to disturb you. I am an admirer. (to Peter) Your father found the cure, but in my desire to witness the moment, I inadvertently distracted him from discovering it.

PETER: I already know all that. Walter told me, but what were you doing there?

THE OBSERVER: (to Secretary Bishop) I'm sorry for disturbing you. (to Peter) It was important. You are important. It was why I could not allow you to drown at the bottom of Reiden Lake, why it was necessary to allow the other Dr. Bishop to cure you instead. Despite my efforts to set things right, these actions only culminated in further corruption of the timeline. The war between the two universes drastically altered destinies and brought about a child that was not meant to be.

PETER: What child?

THE OBSERVER: Your son... Henry.

PETER: My what?

THE OBSERVER: He was born to the wrong Olivia Dunham due to a series of circumstances that never should have happened. This event... would have irrevocably altered everything that was to come.

PETER: (looks at image of Henry) Henry. I have a son.

THE OBSERVER: Had. When you made the sacrifice to step into that machine, you were not the only one who ceased to exist. So would he. I believed at the time that would be the end of it. I cannot explain, but it is clear that I was wrong. You have managed to return in physical form. I suspect... This will provide an opportunity for you to put things right. She is the one... The Olivia Dunham from whom your shared future was meant to spring. This must be, and everything will be as it was intended. You must find a way... they are coming.

PETER: Who?

THE OBSERVER: You need to go. (dream begins breaking apart)

PETER: What's happening?

THE OBSERVER: There is no time. I'm going to need you to do something for me.

PETER: I'm not doing anything till you tell me where to find Olivia--

THE OBSERVER: For that, you have only to go home.

PETER: I know that I have to go home. I know I have to get back to my timeline, but I'm talking about this Olivia in this timeline.

THE OBSERVER: Go home. (Peter wakes up)

ASTRID: Walter, what's happening?

WALTER: I don't know. His heart rate is suddenly spiking.

BROYLES: Peter, did you make contact? Was he able to tell you where Olivia is?

PETER: No.

WALTER: Give me 30 milligrams of Propafenone.

ASTRID: Walter!

(The Observer vanishes from the gurney, knocking over a table in the process)

AGENT LEE: Somebody want to tell me what the hell just happened?

 

ACT IV

Walter's Lab - Dead End

ASTRID: I don't understand how this table just knocked itself over.

AGENT LEE: A dying man suddenly vanishes in front of our eyes, and the thing you're wondering is, "what happened the table?"

ASTRID: Among other things.

PETER: He just stopped suddenly, and he said, "they're coming." And then I got yanked out.

WALTER: Well, I didn't do any yanking. It must have been them. The "them" who were coming.

BROYLES: You're certain he had nothing else to offer?

PETER: Mm-mm. He just kept on saying how I needed to get back to my timeline and my Olivia.

AGENT LEE: Your Olivia and our Olivia? I thought they were one and the same to you.

BROYLES: Then we're right back where we started... with Nina Sharp being our only real lead. Agent Lee, I think she's been on ice long enough. Let's see if she's ready to deal.

WALTER: You tried, Peter. It was a valiant effort nonetheless. You're very lucky to have made it out. I can't imagine what would have happened if this Observer had disappeared with your consciousness still inside his brain.

PETER: He existed outside of time. He could've helped me to find Olivia. He kept on saying that I needed to get home. What if he was being literal this time -- not home to my timeline, just to my house?

ASTRID: What do you think -- that she's waiting for you at your house after she's been kidnapped?

WALTER: I suppose it makes as much sense as anything else that's gone on here.

ASTRID: It doesn't make any sense.

WALTER: My point exactly.

PETER: I know that sounds crazy, but I got to at least check it out. Maybe there's a clue there that can point me in the direction of Olivia. I'll call you from there if I find anything.

 

Peter's Home - Intruder Alert

PETER: Olivia? Olivia! You here? Where is she? I said, 'where is she'?

 

Plainfield Memorial - Ability Demo

OLIVIA: Hello? Peter? Peter?

PETER: Olivia. Olivia, are you okay? Did they hurt you?

OLIVIA: No, no. I'm fine. I'm fine.

DAVID JONES: Nice of you to join us, Mister Bishop. By now, you must have realized that your every word was being monitored. If I overheard you correctly, you believe this man will be helpful in evoking an emotional response, so let's give it a try, shall we? Unless, of course, I was mistaken. I find your silence encouraging.

PETER: Don't do it, Olivia.

DAVID JONES: I'm afraid you must, or Leland here will start slicing off pieces of your friend. Excellent, Agent Dunham. I knew you had it in you. Impressive. What are you doing, Olivia?

OLIVIA: I'm doing what you wanted. I'm turning on the lights.

NINA SHARP: What? No, Olivia, don't.

OLIVIA: You're not Nina.

NINA SHARP: What are you talking about?

OLIVIA: My high-school graduation -- you told me that now I was an adult. I was no longer allowed to call you 'Ms Sharp'. That was the first time I called you 'Nina'.

DAVID JONES: Get her out.

 

ACT V

Plainfield Memorial - Gaining Freedom

OLIVIA: Peter?

PETER: Olivia. How did you do that? How did you know how to concentrate your power?

OLIVIA: Well, I, uh -- I didn't. I just know that... when I was a little girl, I did something similar, and that if they brought you to me, then you might give me what I needed to do it again. Okay. Come on.

DAVID JONES: Best be on our way. Be a good fellow and keep them occupied, will you?

PETER: Olivia. I got you. You're gonna be okay. I'm here.

GOOD FELLOW: On your feet, both of you.

PETER: She's having a seizure.

GOOD FELLOW: I said get up.

OLIVIA: Hey! Oh, God.

PETER: Come on.

DAVID JONES: Please be so kind as to step aside. Ladies first.

OLIVIA: Jones... don't move.

DAVID JONES: That was quite a display you put on in there, Miss Dunham. Your love for this man must be something quite profound.

OLIVIA: Jones, you can step away from the portal.

DAVID JONES: Good-bye for now, Agent Dunham. It would seem there are some fringe benefits to having one's body reassemble at an atomic level.

OLIVIA Peter, I -- did you see that? I — Oh.

PETER: I got you. I got you. Let's get you out of here, okay?

OLIVIA: Okay.

PETER: Yeah. Yeah, Plainfield Memorial. But, Lincoln, make sure that you tell the EMTs that she's gonna need Diazepam. Alright, thanks. Alright, first responders are on their way. You're gonna be fine.

OLIVIA: It's okay. I'm feeling better now. I guess all the energy that I expended did a number on my nervous system.

PETER: Maybe... but maybe it was me... just by being close to you, like Walter said.

OLIVIA: Well, Walter isn't always right.

PETER: Yeah, neither am I. At the gas station just before you got taken, you were ready to come home with me, and I was ready to think that that was okay. But it wasn't. It was a mistake... one that I promised myself I'd never make again.

OLIVIA: This isn't the same as what happened –

PETER: I saw her. I saw my Olivia -- the one that I am supposed to be with, the only one that I'm supposed to be with.

OLIVIA: Peter, I don't understand what's happening to me any more than you do. But that doesn't change what I do know, what you know -- that if you look at me -- if you -- if you look -- if you look into my eyes, then you can see that I am her.

PETER: No. No, you have her memories, or you have my memories of her. You're a projection or -- I don't know what. But when I looked into your eyes, what I saw was what I wanted to see. I know she's out there... my Olivia, in my timeline, waiting for me. And I let myself forget that, so I’m sorry, Olivia. And I'll be sure that Walter can fix you up somehow and give you back your life. But for right now, I think it's better if I just stay away.

OLIVIA: Okay, Peter, I – I - I'm in love with you, and I - I can't just -- just turn that off now. I don't want to lose you. W - where are you going?

PETER: Home. I have to go home.

source: fringepedia